More than an obelisk, it is a scenographic "festival machine" (macchina da festa), commissioned by the Jesuit fathers and financed by public subscription as a sign of devotion and gratitude to the Virgin for protecting Naples from famine and pestilence. The work, begun in 1747, involved the finest artists of the era, transforming the stone into a triumph of symbols, cherubs, saints, and volutes that spiral upwards, culminating in the gilded copper statue of the Madonna.
Like any proper Neapolitan monument, the Spire has its own legend. It is said that the sculptor, after seeing the statue finally placed at the top, realized with horror that a veil partially covered the Virgin's face, and died of a broken heart over what he believed was his own unforgivable oversight. In truth, it is merely a play of perspective and light, but the story adds a veil of pathos to that face, which is turned downward as if in the act of blessing the square below.
But the Spire is not a relic of the past; it is the living heart of one of the city's most deeply felt traditions.
Every year, at dawn on December 8th, the square fills in a silence charged with anticipation. It is the day of the Feast of the Immaculate Conception. In a spectacular and moving ritual, the Vigili del Fuoco (the Firefighters), heirs to an ancient tradition, ascend with their ladders to the summit, over thirty meters high, to lay a wreath of flowers in the Virgin's arms.
It is the city's homage to its Protectress. It is the moment when Naples pauses, looks up, and renews its pact of love with that Baroque triumph that has guarded it for centuries.
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ADDRESS: Piazza Gesù Nuovo, 80134 Napoli NA