Imagine Naples between 1527 and 1528: the city was besieged, exhausted, and the plague was decimating the population. All hope seemed lost.
But near the ancient city walls, in a small votive shrine, an image of the Madonna of Constantinople was cherished. The desperate populace clung to that symbol. And the miracle, in the eyes of the faithful, happened: it is said the effigy was seen to "sweat" and "close its eyes" when faced with the horror of the contagion, a sign of divine compassion that, according to tradition, marked the end of the epidemic.
Naples was saved. And Naples does not forget.
The entire city made a solemn vow: to build, on that exact spot, the most beautiful temple possible.
The church you see today is that vow fulfilled. Erected starting in 1575, it became a treasure chest. The greatest masters were summoned to make it magnificent, as if in a collective act of thanksgiving: Cosimo Fanzago designed the prodigious high altar, a triumph of inlaid marble (marmi commessi) conceived to frame the miraculous 15th-century image. High above, Belisario Corenzio painted a paradise of frescoes, while artists like Massimo Stanzione and Paolo Finoglia worked in the chapels.
Today, Santa Maria di Costantinopoli is a wounded treasure, awaiting the care and restoration that can return it to its full splendour. Yet, its elegant façade, with the 17th-century portico that invites you to pause, still powerfully recounts that story.
To pause here does not merely mean looking at a building, but listening to the breath of a city that knew how to transform its greatest fear into immortal beauty.
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